novellhall Chapter 279 Suppressing the Soul of the Doge
Chapter 279 Suppressing the Soul of the Doge
Chapter 279 Suppressing the Soul of the Doge
As soon as the study session ended, the smell of gunpowder gradually disappeared.
Chen Kexin left satisfied, and planned to send the script of "Lost Orphaned" to his old partner Zhang Ji for re-editing. Fortunately, the disagreement was focused on the middle and late stages of the plot, and the early filming plan was not affected in the slightest.
Peng Sanyuan's quarrels are all quarrels, but it's not that he doesn't understand the general situation.
She is a director who made a fortune halfway through. She previously worked as a screenwriter for family and marriage dramas. She is only a second-hander in terms of shooting techniques, audio-visual language, and compositional colors.
I have been with the group, but all I have been in contact with are TV dramas, and the scheduling of movies is very different from that of TV dramas.
Therefore, the opinions provided by Chen Kexin and Ye Qin must be carefully considered as new directors.
As for face, one is a famous director in Hong Kong circle, and the other is a movie star in Berlin. They are equivalent to two kings. The two kings are willing to be jungle support. You are an ADC who just ranked 30th, what else do you want?
Cleaning up my mood, exhaling lightly, and preparing to go to the scene where the filming is about to start, I saw a group of staff secretly blocking the dressing room, crowded with people, seeming to be peeping.
"Mr. Li, what are you looking at?"
The subject of the question is Li Pingbin, a well-known director of photography in Wanwan, who is responsible for several classic light and shadow layouts in "In the Mood for Love", a poet of light and shadow who is also known as Du Kefeng.
Li Pingbin stretched out a finger, put it on his lips, and said with a smile: "It's rare for the young and middle-aged actors to play against each other. Look carefully, they've already 'competed' since they obeyed the way of transformation!"
Peng Sanyuan curiously looked into the house through the broken glass window, in the dressing room——
Liu Tianwang was wearing a dark gray jacket, black trousers, and a shoulder bag tied around his waist. While accepting the styling makeup of the makeup artist, his temples were dyed white, and his face was painted with weather-beaten age spots. Potholes.
On the other side, Ye Qin, with his back to Liu Tianwang, looked at himself in the makeup mirror, with tanned and brown skin, slightly scruffy unkempt hair, sweater stained with motor oil, and ripped jeans, completely different from Jing Boran in his previous life. clean face.
Nonsense, old and young men who repair motorcycles, which one will be clean?
Next to it, stood a staff member specially recruited from the film crew, named Guo Yun, a native of Min Jian, who was using a soft Min Jian accent to read aloud the lines of Zeng Shuai's next play.
Liu Tianwang turned his head and said, "Ye Zi, are you going to speak Min Jian dialect later?"
"Yeah, Brother Hua, I think Zeng Shuai was abducted when he was young, and his language system is not fully developed. He lives in Minjian, so of course he should be able to speak Minjian dialect, at least Mandarin with a Minjian accent."
Ye Qin reshaped the role of "Zeng Shuai" from the outside to the inland, and the local dialect can make the image naturally down-to-earth.
Liu Tianwang said: "Director Peng may not be happy. I also proposed to learn dialects before, but she said that Mandarin must be used, saying that dialects are not needed to increase the quality of the film. .”
Hehe, that's why the "Zeng Shuai" she filmed was a meowing scene, not a lost orphan, but a reclusive rich second generation.
Besides, the dialect is not just to enhance the texture of the film, it can make the characters in the film more "real"!
"The Unknown Man" is interspersed with Sichuan-Chongqing dialect, mountain city dialect, and Guizhou-Gui dialect.
Many meanings and flavors of key dialects cannot be expressed in Mandarin.
Just like in "Old Cannon", Zhang Xiaobo played by Baihua Layman, a small cannon who grew up in an alley, does not have the flavor of Beijing movies and Yanjing. Without dirty words!
Ye Qin still insisted on his own opinion, but he just had a second thought:
Did I take the movie king and go away? Is this considered bullying?
........................
The boss of a certain car repair shop is a loyal fan of Liu Tianwang, so he offered to lend it out without saying a word.
The pavement is not small, covering a total of more than 100 square meters. Various machine tools and parts are hung on the walls, and motorcycles provided by advertising sponsors are placed in the open space.
"Come out, come out, Liu Tianwang!"
"Ye Qin, that's Ye Qin, he doesn't look very good, why do so many women like him?"
"Hey, buddy, it's convenient, let me in, I just want to take a photo with Liu Tianwang and get an autograph, I'm his fan!"
Surrounding the store, crowds of onlookers were densely packed. Men, women and children heard that Liu Tianwang and Ye Qin had appeared in plays. Many store owners ignored the store and squeezed into the crowd just to witness the star's demeanor.
When Ye Qin and Liu Tianwang walked from the dressing room to the car repair shop, there were applause and cheers one after another.
"Please be quiet, everyone!"
"Please be quiet, everyone, we will be filming soon, please cooperate with Liu Tianwang and Ye Qin, thank you!"
The chief purser held a loudspeaker and directed the field workers to form a row like a city wall, separating the crowd of star-chasers who were in climax and excitement from the crew.
"Huh!"
When Chen Kexin saw Liu Tianwang dressed as a farmer, he was very surprised and said: "I thought it was not good for Andy to pretend to be a farmer, but this time I am impressed."
Ye Qin glanced at Liu Tianwang, he rubbed his rough face with salt, and then smiled, obviously the image he worked so hard to create was recognized, and he felt a sense of accomplishment from the bottom of his heart.
In the early years Zhang Guoshi once said that Liu Tianwang could not play a "peasant", but he immediately changed his words when "Lost Orphan" was released and took the initiative to invite "The Great Wall".
emm, this is a blessing and a curse, it's a blessing that the fire is concentrated on Zhang Guoshi and Da Tiantian.
"Ye Qin, in the scene that I will be acting in later, there are a few scenes where you need to take pictures of you assembling and repairing the locomotive. The owner of the car repair can..."
While Chen Kexin was speaking, he walked to the small take-off and landing platform in the center, and pointed to the locomotive fixed on it.
In the plot, Lei Zekuan had a car accident, Zeng Shuai who was passing by kindly rescued him, and took him to a car repair shop to repair the car for free, and thus became acquainted.
"Chen Jian, no need, I can repair the locomotive."
Under the surprised eyes of Peng Sanyuan, Liu Tianwang and others, Ye Qin put on his gloves, opened the repair box, and wrenches, screwdrivers, hand hammers, etc. appeared in front of him. Parts, smooth and quick movements, others will know the stock at a glance!
Liu Tianwang was speechless: "Ye Zi, do you like motorcycles?"
"Of course, Brother Hua, motorcycles are a man's romance!"
Ye Qin laughed, in fact, when he signed up for the flying car course, he learned how to repair a mobile phone by the way.
Chen Kexin clapped his hands, appreciating: "One is willing to lose his face, and the other is willing to endure hardships. I have a hunch that although it is a public welfare film, the results are beyond imagination!"
Peng Sanyuan was very excited, and his dissatisfaction with the script revision was immediately put to the back of his mind. Liu Tianwang, Golden Statue and Golden Horse Best Actor, Ye Qin, a certain Hua Berlin Best Actor, crouching dragon and phoenix chick in hand, I have the world!
"Then what are you waiting for, try it out!"
"Where is this place?" Liu Tianwang asked in half-salty Mandarin, with a weak tone, as if he had just woken up from a thrilling car accident.
"Wu (mu) Yi (i) Shan (sua)." Ye Qin spoke Hokkien with a faint sweet potato accent.
Peng Sanyuan stopped him and said, "Ka, wait a minute, Ye Qin, don't speak dialect, use Mandarin!"
"I think the role of Zeng Shuai must use a dialect."
Ye Qin's tone was firm, and he emphasized: "Hua Ge's Lei Zekuan is not used because his father has been walking in the land of China for 15 years, looking for orphans from all over the world. He has gone to so many places, and it is impossible to communicate in dialects everywhere he goes. Communication, this is obviously unrealistic, the whole country promotes Putonghua, so it is quite appropriate to use Putonghua."
"But Zeng Shuai is different! Zeng Shuai is a lost child, a black family, no household registration, no ID card, and no access to school. He grew up eating a lot of food. Is it possible to grow up in Minjian without speaking a dialect?"
"Moreover, the most profound significance of using Hokkien dialect is that in the end, with the help of Lei Zekuan, he found his close relatives. His parents are from Sichuan and Chongqing, but he doesn't know Sichuan and Chongqing dialect."
"The boy left home and the eldest returned home. His local accent has not changed. His temple hair has faded. He has no local accent. Once he was lost by a prisoner. He was separated from the north and the south. When we met again, he spoke Hokkien. His parents couldn't understand a word. Chickens and ducks talked. .”
"What you said makes sense, but it's not Mandarin. Using dialects will make the tone of the film look very rustic and local."
Peng Sanyuan said helplessly: "I don't want the film to show a sixth-generation underground film."
Ye Qin's head is full of black lines. Although he doesn't like the sixth generation movies from the bottom of his heart, from the content to the techniques, his use of "earth" and "localization" is outrageous.
In the films made by Kechang Jia in his early years, it is true that both the male and female protagonists will use Jinxi dialect, which is close to reality, not rustic!
In the "Armageddon" trilogy, a generation of great people speaks dialects and accents from all over the country, isn't it also earthy?
"Qin Zi, I agree with Director Peng's suggestion. The mainstream market must be considered. Although it is a public welfare film, it must be considered that the audience of Mandarin is much larger than that of dialects."
Chen Kexin's teaming with Peng Sanyuan this time is not selfless. "Lost Orphans" also has "our" studio investment, no way, no investment amount, Chen Kexin is lazy as the producer, and can't wait to make money with the same theme right away .
In the previous life, Hua Yi approached Chen Kexin as the producer, but after reading the script, he resolutely refused, and then started filming "Dear" strangely. Obviously, the application for filming was later than "Lost Orphan", but it happened to be ahead of "Lost Orphan". , released early.
emm, Chen Kexin is not authentic!
Ye Qin pouted, thinking that he could easily be labeled as a "drama bully" if he didn't give face to the director and producer for the sake of the role.
Master Xing, Li Baotian, because he was too strict with the play, had constant conflicts with the main cast of the crew, and his popularity was not good.
Considering his reputation, he had to back down and said, "Okay, I'll take a half step back. You don't have to use dialects, but Zeng Shuai must speak Mandarin with a Min Jian accent."
Without waiting for Peng Sanyuan to fight again and again, Chen Kexin directly agreed: "Yes!"
Ye Qin glanced at Chen Kexin, and smiled with an unknown meaning.
Damn, Liu Tianwang speaks Mandarin with a Cantonese accent, why don't you like me speaking Mandarin with Min Jian's sweet potato accent?
Monthly pass credits are in the next chapter.
PS: I will not whitewash and beautify Peng Sanyuan infinitely because of the aura of public welfare success of "Lost Orphan".The specific answers are not fabricated maliciously, they are well documented, and there are interview records.
A film elite with a touch of European literary style.
(End of this chapter)