Chapter 224 The Character Curve of Chen Xuanzang
Chapter 224 The Character Curve of Chen Xuanzang
Chapter 224 The Character Curve of Chen Xuanzang
Hengdian Film and Television City.
In 2012, the season entered the spring, and the film and television industry also entered the spring.
With the entry of financial capital and Internet capital, video sites are scrambling to snap up copyrights, and the demand gap for film and television dramas is getting bigger and bigger.
From January to March, in the first quarter, there were 1 TV dramas approved to be produced and distributed by Optoelectronics, with more than 3 episodes.
Among them, one-third of the crew went to Hengdian, invested in the production and ate meat, directors and actors drank soup, and the rest of the dregs were licked by the group leaders.
Dudu Liu Neng pulled his nostrils to the sky.
"Brother Liu, are you going back now?" The screenwriter politely handed him a cigarette.
"When you have guests at home, you have to go to the vegetable market to buy some materials for preparation."
Liu Neng smiled, he used to be his grandson, and Baba passed cigarettes to others, but these years, with Ye Qin's strong take-off, everything was reversed.
He is a man of the hour in Hengdian right now.
Everyone knew that Ye Qin had come out from under him, and he still kept close contact with him till now.
His younger brother, Liu Xing, can appear on the small screen one after another, and get mixed up with the third-tier small coffee, isn't it the signing of Ye Guangji!
Those special extras who aspired to be stars all flocked to Liu Neng's door to "squeeze" Liu Neng, hoping to gain Liu Neng's connections and Ye Qin's fairy spirit.
When one person attains the Tao, the chicken and the dog ascend to heaven.
The assistant director, production director, and even the directors of the photography team and other working groups in the crew did not take it lightly.
"Well, Brother Liu, I wrote a notebook myself, can you pass it to Ye Qin?"
The voice was so thin that it made Liu Neng's scalp numb. He looked sideways at this man with weird long hair, a straw hat on his head, and a neutral dress. He used to call him neither male nor female.
This person has been entangled with him for half a month, like a female ghost, he can't get rid of it.
Sighing silently, it was regarded as a farewell, and he stretched out his hand helplessly: "Give it to me."
"Thank you Brother Liu!"
The long-haired man directly provided the draft outline and the detailed outline of the first 3 episodes.
Liu Neng said depressedly: "Why don't you cast yourself in Ye Guangji's studio? Didn't Xiao Qin make it clear in "Face to Face" and accept the script openly?"
"Brother Liu, the subject matter is more sensitive." The man touched his nose with long fingernails.
Liu Neng glanced at the title of the play, what is it?
"Soul Ferry"!
It can't be a time-travel drama, after "Scary Step by Step" and "Gong", Optoelectronics can urgently issue a "restriction order" to prohibit the subject of soul time travel.
Flipping through the script by hand, hiss, it's even more outrageous, writing about urban ghosts, civil servants in the underworld, and the underworld.
Please, after the founding of the People's Republic of China, no monsters are allowed, not even a scallion!
It was obvious that I couldn't take pictures, but when I saw this young man named Xiao Jixiangtian, his eyes were full of hope, and I couldn't help but think of——
Ye Qin back then.
"Sure, I'll pass it to him, but whether it's okay or not, I can't decide."
I muttered in my heart: this book, can my brother take a fancy to it?
...............
"Okay, this book, Brother Liu, you gave me a gift!"
Ye Qin was a guest at Liu Neng's home.
Three bedrooms, one living room and one bathroom, 110 square meters, he paid for the house in Hengdian, Dongyang, and bought it for Liu Neng with all the money, so that he could live in a rental house if he could save it.
On the table of the Eight Immortals, there was a pot of mandarin ducks, and there were plates all around the pot, leaving only the residue, which was almost eaten.
"Xiao Qin, this ghost theme, traditional TV can't show it, so don't pay for it."
Liu Neng stood up leisurely, and took a plate of peanuts and a plate of cucumbers from his wife.
This is "Soul Ferry", the originator of web dramas.
It truly breaks the stereotype of netizens and audiences. Although the special effects of web dramas are rough and inferior, the focus is on the plot.
Convenience store No. 444 is like pawn shop No. 8. The story of social reality wrapped by ghosts and gods opens a new round of frenzy for movie viewing.
Ye Qin tossed the script, can this fucking meow be delivered to your door?
It's equivalent to handing over a pillow due to lack of sleep. Just as "Glory of the Tang Dynasty" finished filming, Bai Yu and Peng Xiaoran were free and could cast.
After all, the cost per episode is only 10.
"Brother Liu, make an appointment with this screenwriter some other day. I like this book!"
Ye Qin rubbed his swollen belly, chatted politely for a while, bid farewell to Big Brother, and slipped back to the hotel arranged by the crew in the dark.
Snapped!
After taking a shower, he casually threw "Wakefield" recommended by Diao Yinan on the bedside table.
The content is about a London man tentatively named "Wakefield", who suddenly ran away from home without warning, lived in a rented house in the next street, and did not return home for 20 years.
Twenty years later, he returned home suddenly, as if he had just left home for a day.
It's very depressing and absurd.
Like watching "The Hunger Artist", every word and every word reveals a philosophical flavor,
Ye Qin got a headache from reading it, and reached out to pick up "White Night Journey" by Keigo Higashino.
Twitch your lips, after the release of "Fireworks in the Day", many Higashino fans didn't understand anything, so they had to put on a cup. .
Just because Wu Zhizhen's husband is also the one who gets rid of her side?
Let me go, one is to remove all obstacles to the heroine, and the other is to kill all the men who have an affair with the heroine. The motives for killing are different, but the behavior is similar, is it plagiarism?
When actors are filming, especially scripts adapted from original works, sometimes they not only need to experience life, but also read the original works.
Ye Qin is not purely of any genre.
Method school, experiential school, expression school, style school, whichever school can best achieve the performance effect, he will use whichever school.
Read the original work and read novels of the same type, insisting on breaking it up is a methodical method.
Actors are allowed to construct imaginary objects for the characters themselves through any materials, but imitation is rejected.
Like Marlon Brando in "The Godfather", he read the script and the original work, and then started to deduce the "Godfather" in his mind.
The classic image on the screen is unforgettable!
This method requires not only imagination, acting skills, but also culture.
Note that it is culture. Actors can be uneducated, but not uneducated!
If you can't even read the book, how can you understand the script?
Reading comprehension is not good, how to understand the characters?
Those who put "student master" characters, such as a certain little star of the development department.
It's no problem to score 300 points in the test, so please sell more "students" and reverse people will come up with surprises!
After watching it for a while, Ye Qin patted his forehead and put the focus back on "Conquering the Demons".
In order to play Chen Xuanzang, while the crew of "Glory of the Tang Dynasty" was fishing, he re-watched "Journey to the West".
All I can say is, two words, look for nothing!
Tang Seng in the original Journey to the West is different from "Conquering the Demons", and also different from the 86 edition of "Journey to the West".
To sum it up, it is the second generation of the gold-plated Buddha who is timid, cowardly, pedantic, has a lustful heart but no gallbladder, and is selfish.
Moreover, there are countless violations of the precepts. Just the precept of anger, he has scolded people and Sun Wukong ten times, and he can understand why Tang Seng in "Fu Yao Pian" is so annoying.
The reason why the 86 edition is beautified, and it cannot be called beautification, is to eliminate Wu Chengen's private goods, because Master Sanzang is really a saint who connects the past with the next in local Buddhism.
"Yin Zhiping" in "The Legend of Condor Heroes" cannot be insulted, let alone a Buddhist saint.
To use an analogy, the Sanzangs have to confess Master Sanzang.
Because there are no written records in ancient India, that period of history is blank, and what fills this blank comes from the diary of Master Tripitaka.
That's right, the diary of a serious person, "The Western Regions of the Tang Dynasty", gave a history of ancient India, otherwise he would have to learn from the Bangzi Kingdom and steal other people's history.
A person who has made such great contributions cannot be blacked out, and Master Xing's final script is not blackened either.
If he puts all the evil on the monkey king who has been sealed for 500 years, he puts the good on Chen Xuanzang.
Ye Qin read the biography of the characters written, if the exorcists are divided into five layers:
The first level is the fake Taoist priest who appeared on the stage, using demons and goblins to deceive the villagers into money, and when they were exposed, they incited the foolish people to label Chen Xuanzang as a liar.
The second level, those who put fame and fortune above all else, such as Xingyiquan people, young masters with kidney deficiency, Tiancanjiao, and Miss Duan, exorcising demons and demons is just a way to become famous.
On the third floor, Chen Xuanzang before he realized it, also took exorcism and subduing demons as his duty, but because of the master's teachings, he doubted using love to influence, but hesitantly followed suit.
On the fourth floor, after Miss Duan's death, Chen Xuanzang realized the true meaning of great love, but he only understood a little bit, so he embarked on the road of traveling westward to ask questions.
The fifth floor is his guide, Master.
When an actor reads a character, one thing he has to do is to design the curve of the character.
For example, the emotional curve with Miss Duan.
The reason why Xingye's movies are good is that in each of his movies, the protagonist he plays can always be stuck in the growth curve of the character, from the inside to the outside, the temperament and expression are in line with a stage.
In "Su Qier",
At the beginning, the flirtatious and willful young master was arrogant and arrogant, comparable to Principal Wang.
Afterwards, Su Can, who ransacked his home to beg for food, was frustrated and fell into the quagmire like a negative second generation of a family business that went bankrupt.
Then he abolished his martial arts and gave up on himself, like a bereaved dog.
Later, the leader of the beggar gang who mastered the counterattack of "Sleeping Arhat Fist" was very energetic.
In the end, the Eighteen Palms of Subduing the Dragon bombarded and killed the big boss!
The routines of the abuser in the cloud, the trough, and the cloud, and the interpretation of Master Xing are brought into full play.
Therefore, the sense of substitution is full.
Chen Xuanzang in "Conquering the Demons" is not a torturer, but enlightenment.
To sum it up, every time the common people cry, they can pity the prodigal son.
Ye Qin assumed a comfortable sleeping position and closed his eyes: "Use situational experience."
Thanks to the book friend Yao Xiaojian Le Youyou, 160509095925204, Xueshen Lingshuang, 20200803152202266, Fengfengzhi, Shenwuhuang, May the world be beautiful, Wutongxue, v73488, 20180325211138855, Jingjing otou, Tuba Kyushu, you are really Xiaokuo love Big monthly ticket support!
(End of this chapter)
novellhall